Ashenhurst of Ashenhurst.
Arms: Or, a cockatrice, the tail nowed and terminating in a serpent's head Sable, the comb, wattles, and head gules, in the beak a sprig vert.
Crest: A cockatrice as in the arms.
The family took its name from Ashenhurst Hall, located near Leek in the Staffordshire Moorlands, where they were established for centuries as prominent local gentry. In the late 16th century, Ralph Ashenhurst married the heiress of Beard Hall in Derbyshire*. This union significantly expanded the family's wealth, landholdings, and influence across county lines. However, the Ashenhursts achieved their greatest historical notoriety during the 1640s and 1650s as staunch Parliamentarians (Roundheads) fighting against King Charles I.
Randle Ashenhurst and his brother Edward both served as high-ranking Colonels for the Parliamentary forces. Edward notably seized the estate of Walton Grange, in the market town of Stone, during the conflict. Randle’s son, Captain (later Colonel) John Ashenhurst, became a dominant military figure in Staffordshire. In 1644, he successfully led the siege and capture of Biddulph Hall, a heavily fortified Royalist stronghold.
Following the Royalist defeat at the Battle of Worcester in 1651, Colonel John Ashenhurst was commissioned to hunt down the fleeing King Charles II. Leading a troop of cavalry, Ashenhurst famously searched Boscobel House and nearly captured the King, who famously escaped by hiding in a nearby oak tree (the Royal Oak).
The return of the monarchy (the Restoration) in 1660 brought an end to the family's golden era in Staffordshire. Because of their prominent anti-Royalist stance, the family's fortunes waned. Following Randle Ashenhurst’s death in 1666, his son John was forced to sell Ashenhurst Hall in 1667, ending centuries of family ownership. Facing political ruin, John Ashenhurst was reportedly transported to Barbados in 1669. Other branches of the family eventually migrated to Ireland, and by the late 18th century, descendants had crossed the Atlantic to settle in Virginia and the wider United States.
The arms of the Ashenhurst family, of Ashenhurst Hall, are quite fascinating in their own right and there is a canting (punning) heraldic device found in these arms, though it relies on visual wordplay and older dialect pronunciations rather than a straightforward phonetic pun.
In old English folklore and dialect, the cockatrice was sometimes conflated or associated with the basilisk, which was born from a "cock's egg" hatched in a dunghill or among ashes.
A "hurst" is an archaic word for a grove, wooded hill, or thicket. The sprig vert (green sprig/branch) held in the cockatrice's beak directly symbolizes a piece of vegetation or a grove, visually representing the -hurst part of the name.
Combining a creature linked to ashes with a green branch creates a living rebus for Ashen-hurst (an ash tree grove or a wooded hill of ash).
The legend of the cockatrice and the basilisk represents one of the most famous conflations in European and English folklore.
The two mythical beasts became inextricably linked in English culture during the late 14th century. When John Trevisa translated Bartholomeus Anglicus's encyclopedia de proprietatibus rerum in 1397, he translated the Latin word basiliscus as "cockatrice". From that point onward, especially through the Elizabethan era, the terms were used interchangeably in literature, dialect, and heraldry.
According to widespread folk tradition, a cockatrice or basilisk was born from a highly unusual, small, yolkless egg (historically called a "cock's egg," "fart egg," or "witch egg") supposedly laid by an elderly rooster. In standard English folklore, the egg had to be incubated by a toad or a serpent. To generate the proper heat for incubation, legends and old husbandry texts frequently specified that the egg was hatched within a dunghill, a pile of warm ashes, or compost, which provided the natural, fermenting warmth needed to bring the monster to life.
*The armorial bearings of the Beard family of Beard Hall, Derbyshire, are also a classic example of canting arms, heraldic designs that act as a visual pun on the bearer's surname.
Arms: Argent, three men's heads couped [at the neck] Sable (or Proper), bearded, within a bordure Azure.

No comments:
Post a Comment
Please keep your comments relevant, heraldic, and of course civil.